Paint Set, Varnish - Highlight Veneer
REVEAL THE BEAUTY OF YOUR GUITAR BODY AND INCREASE THE INTENSITY OF THE FLAME VENEER USING WATERBASE VARNISH AND DYE.
This painting set contains all you need to paint the body with veneer top and the neck of your guitar kit. This set provides a translucent finish with 2 colors by using dye and varnish of your choice. It can be applied on veneer such as spatle, quilted or flamed maple top. It contains what you need to get the results shown on the picture: 2 bottle of dye and 1Liter of waterbase varnish. This is enough to paint both your guitar body and Neck . Still we propose various option to enhance further the beauty of your guitar kit, test your finish and various tools to make sure you will get a fantastic results.
When selecting your paint products, some are optionals. We have pre-selected for you the optional products that are highly recommended to obtain a nice finish. We invite you to re-adjust at your convenience based on product description below and in particular to choose yourself the required products, such as colors and varnishes.
*Finishing guitar products include VAT. Free shipping for a total order >£230 for UK destinations.
*A complete user guide will be provided by email upon request
From $42.65 was $44.89
To $228.23 was $240.23
1. Sanding: Select sanding set to sand guitar body and neck until P400 grit (optional),
2. Grain Filler (optional): Apply grain filler for extra smoothness but not on your body top though.
3. Tint: Dye your guitar body to in black first to highlight the veneer then add the other selected color to create contrast and make your veneer more intense. You can also use these 2 dyes to paint the side and back of body as well as neck the way you want.
4. Sealer (optional): for additional smoothness (not really needed as grain filler is enough)
5. Varnish: use the waterbase varnish to reveal further the beauty of the wood and protect your guitar.
6. Polishing (optional): Select the polishing kit to get this extra shine and mirror effect for your guitar.
1. Selecting Materials
The guitar finish materials we propose can be needed if you don’t have it already. Please look to each product individually in the Materials category to understand better the use of each products we propose here:
- Sanding Paper Set is definitely something you will need (if you don’t have it). During the painting of your gutiar you will have to sand your wood several times to make sure to have a smooth and perfect finish.
- Copper Tape is needed to remove electromagnetic interference and make sure that your pick-up will provide a clean sound without background noise.
- Sample Wood can be very usefull if you purchase a guitar kit with ash or mahogany. It will be exactly the same wood so you can try your finish upfront to make sure you will have it right when doing it on your guitar body and neck.
- Rechargeable Spray and Recharge is something you might want to consider if you purchase nitrocellulse, polyurethane or waterbase varnish in bottle and don't have a spray gun. Although you can achieve very good results using a brush, It will allow homogeneous and simpler application of the paint and varnish. One suggestion is to use brush and only use rechargeable spray for the last few coats of varnish.
- Gloves and Brush are available if you dont have it and you want to apply the varnish with a brush and keep your hands clean.
2. Wood Preparation
- For open pore wood such as mahogany or ash, if you want to have intense dye color while making sure to have a smooth surface results when apply the varnish, we suggest to use a grain filler. With Dye we recommend a colorless grain filler such as natural one or you can choose a colored grain filler if it suits more your guitr paint project. Although not mandatory, we recommend also apply a clear sealer as well after tint your wood with the dye for a perfect smooth finish
- For close pore woods such as maple or bassewood, we suggest to use a clear sealer. More varnish coats instead will work as well
3. Highlight the Veneer of the Body
- 1x dye of black color is provided to enhance the contrast of the top of the body. Dilue it with white spirit to control the intensity and apply it. You can then sand very slightly at 600 to adjust intensity further. Then apply your other selected dye. Apply this process until you're satisfied. Please remember that the quilted, spalte or flame top can be hin so you need to sand without applying any presure to remove only the dye itself and as less as possible wood.
4. Coloring the Wood
- 1x dye of the color of your choice is needed to paint the body and or the neck as your convenience
Note that you will have left over of the selected dye which you can use for the neck, headstock, etc. Once dye apply you might want to apply a clear sealer. It remains optional as highlight in the Wood Preparation Section.
5. Varnishing Guitar Body & Neck
1 Liter of varnish is more than enough to get a good finish for both the neck and the guitar body:
- ~600mL for the guitar body
- ~400mL for the guitar neck
Note that you can select matt or gloss finish. Using a brush along with sanding with different level of sanding paper will provide you excellent finish. Still you can use the rechargeable spray if you prefer for the last coats for instance to make sure to have a homogeneous and apply thin layer of varnish.
6. Polishing the Guitar Body & Neck (Optional)
To get a super high gloss, a mirror effect, a protective layer and avoid slightly dull finish, we recommend the polishing set. Still you will get already a very good results without it but it will bring your guitar paint to the next level.
Additional details can be found on each products available in the Guitar Finishing category . Also a complete user guide will be provided when requested by email.
*SELECTING VARNISH BETWEEN POLYURETHANE, WATERBASE & NITROCELLULOSE FOR YOUR TOP COAT
Each type of varnish we propose has its advantages and disadvantages:
- Water-based finish is environmentally friendly and non-toxic: you can paint in more confined spaces such as a garage without any protection. Water-based varnish ages very well without changing colour and retains the colour of your wood, but tends to "flatten" the grain slightly, giving it a little less relief than nitrocellulose or polyurethane solutions. This is a very good solution for beginner, first guitar painter and low budget as it is easy to apply and you won't need protective materials or allocated space to paint your guitar.
- Nitrocellulose is very toxic so you will need protective gloves, googles and respiratory mask as well as a specific environment wit fan or paint outside. It is what was used in the 60s for mass production. Nitrocellulose has a tendency to yellow or crack over time creating the famous relic or vintage look and are easy to get a scratch. It offers also a more intense shine than polyurethane and it is said that the wood "breathes" better when thin paint applied. This type of finish is advised for intermediate guitar painter (or even beginner if you use the spray can propose in our other painting kit products). In particular it will provide you a different finish to what is commercially available but remind that it is more fragile and easy to scratch it. Finally if you are looking for a vintage or relic look and want to see your guitar age over time, a nitrocellulose finish is definitely what you need.
- Polyurethane finish is very toxic as nitrocellulose which means that you will need protective materials as Nitrocellulose. Polyurethane is very durable (this is the finish you will find in the music shop), does not ages, crack and dry quickly. Hower some people think that the guitar sounds or breathes a little less than nitrocellulose. Its application is also a bit more difficult as you need to mix it with a hardener. From there you have about 2 hours before the mixture hardens. This type of finish is recommended for intermediate to expert guitar painter (so for people who have already painted a guitar) and want a finish like you would find in today's music shops.